Motivations
My stencil work isn’t just about technique; it’s about telling stories through layers of complexity.
Each piece I create, whether simple or intricate, reflects the countless hours invested in refining the process of hand-cutting stencils and layering spray paint. What starts as a flat, two-dimensional surface soon transforms into a multi-layered artwork, with every layer adding depth and meaning.
From the bold immediacy of single-layer street art to detailed, photo-realistic stencils requiring hundreds of cuts, each piece carries a unique story waiting to be discovered.
Each piece I create, whether simple or intricate, reflects the countless hours invested in refining the process of hand-cutting stencils and layering spray paint. What starts as a flat, two-dimensional surface soon transforms into a multi-layered artwork, with every layer adding depth and meaning.
From the bold immediacy of single-layer street art to detailed, photo-realistic stencils requiring hundreds of cuts, each piece carries a unique story waiting to be discovered.
The Journey
Art, for me, has always been an evolving journey.
What began with pencils and graphite soon transitioned through promarkers and acrylics, eventually settling on spray paint as my signature medium. But my passion for experimentation never stopped there.
Recently, I’ve been pushing the boundaries further by exploring glass and acrylic substrates—mediums that offer a new dimension where light and shadow interact with the paint in ways traditional canvases can’t. I believe in pushing beyond the familiar and challenging what’s possible in every piece.
What began with pencils and graphite soon transitioned through promarkers and acrylics, eventually settling on spray paint as my signature medium. But my passion for experimentation never stopped there.
Recently, I’ve been pushing the boundaries further by exploring glass and acrylic substrates—mediums that offer a new dimension where light and shadow interact with the paint in ways traditional canvases can’t. I believe in pushing beyond the familiar and challenging what’s possible in every piece.
Community
The art world is full of barriers, and I’ve faced them all—galleries wanting to put me in a box, materials hard to source from my island home, and even lost or stolen artwork. But my refusal to fit into predefined molds has kept me pushing forward. My art doesn’t follow a theme, and I refuse to let the commercial pressures of the industry dictate my creative process.
What was once a thriving social community has now become a battle against algorithms that bury the work I spend months perfecting. But none of that stops me. Each challenge only fuels my drive to break boundaries and redefine what stencil art can be.
Through my involvement with the Secret Society of Super Villain Artists (SSOSVA), I found a global community of like-minded guerilla street artists. Together, we’ve been able to push boundaries, participating in exhibitions such as Saatchi and the Wien Museum, and guerrilla art projects across Europe.
